PhilmColor R2 + R3 LUTS

PhilmColor R2 + R3 LUTs

The PhilmColor R2 + R3 LUTs collection is an expansive, industry-acclaimed suite of professional color LUTs designed around the RED IPP2 Color Workflow. Developed by Phil Holland, these LUTs offer filmmakers and colorists a comprehensive modular grading toolbox, blending the aesthetics of analog film stocks with the flexibility of modern digital workflows.

🎬 Overview

Since its debut, PhilmColor has been used across thousands of productions — from major film sets to commercial projects. The R3 release refines and expands upon the earlier R2 version, adding over 540 new LUTs alongside the original 178 from R2, for a total of 700+ cinematic LUTs. Each LUT is meticulously crafted to capture the tonal range, density, and character of classic Kodak and Fujifilm film stocks, while remaining adaptable to a wide range of cameras and lighting environments.

📦 What’s Included

• 540 new LUTs from PhilmColor R3
• 178 LUTs from PhilmColor R2
• Total of 700+ LUTs across multiple creative and technical categories
• RED IPP2-optimized LUTs with full compatibility for Log3G10 and REDWideGamutRGB
• Cross-camera workflow support (Canon, Sony, ARRI, Blackmagic, Panasonic, etc.) via color space transforms

🎨 Key Features

• Built for RED IPP2 Color Workflow — ideal for DSMC2 and DSMC3 systems
• Inspired by Kodak and Fujifilm film stocks (vintage to modern aesthetics)
• Modular LUT structure — mix and layer LUTs to build complex looks
• Extensive testing and calibration by professional colorists and production houses
• Designed for consistent results under all lighting conditions: key, under key, high key, or ETTR
• Flexible cross-platform support for multi-camera workflows

📽️ Compatibility

Fully compatible with all major post-production and color grading applications supporting 3D LUTs:

• DaVinci Resolve
• Adobe Premiere Pro
• Adobe After Effects
• Final Cut Pro X
• Assimilate Scratch
• RED Cine-X Pro
• Any platform supporting .CUBE or .VLT LUT formats

🎥 Perfect For

• Professional filmmakers and colorists using RED DSMC2 / DSMC3 cameras
• Production studios seeking filmic digital color emulation
• Commercial and feature film post-production
• Multi-camera workflows needing cross-system color consistency

💬 Why Filmmakers Love It

The PhilmColor R2 + R3 LUTs set has become a cornerstone for professionals seeking cinematic consistency, tonal precision, and creative depth. It bridges the gap between analog film aesthetics and modern digital versatility — offering looks that are timeless, flexible, and production-ready.

Unlock the color science trusted by top cinematographers — with PhilmColor R2 + R3 LUTs, elevate your footage to a true motion picture standard.